For the entrance to rotor, Ernst Koslitsch created two sculptures, each over three metres tall, standing before the ivy covered columns that are more than 150 years old. Built from formwork panels used on construction sites, both new and previously used, the works retain the marks of prior use as a deliberate part of their surface. Drawing on early cave paintings, particularly from Asia, the two figures read as fragments of an unknown reference system, echo keepers, bearers, totems, or technical relics, standing at the point where a mark becomes a ritualised story.
Group exhibition with Aliz Farkas, Elisabeth von Samsonow, Vanja Krajnc, Edda Strobl, Daily Rhythms Collective (Daniela Brasil, Otto Oscar Hernandez Ruiz, SHIN Hyo Jin), Lala Rascic, Catrin Manoli, Catherina Jarau, Anna Mora Moll, Laila Reichenpfader, Dominika Trapp, and Ernst Koslitsch.